Listen to ‘The Daily’: The (Misunderstood) Story of NATO

Listen to ‘The Daily’: The (Misunderstood) Story of NATO

On a combative opening day of the NATO summit in Brussels, President Trump called other member countries “delinquent” on military spending and attacked Germany as “captive” to Russia. We examine where his frustration is coming from.

On today’s episode:

David E. Sanger, a national security correspondent for The New York Times and the author of “The Perfect Weapon: War, Sabotage, and Fear in the Cyber Age.”

From your mobile device:

You can listen and subscribe to “The Daily” from any podcast player. If you’re reading this from an iPhone or other Apple mobile device, tap this link to listen in Apple Podcasts. If you’re on an Android device, tap this link to listen in Stitcher or this link to listen in RadioPublic.

Or if you prefer another podcast player, you can find “The Daily” there. (Here’s the RSS feed.)

From a desktop or laptop:

Click the “play” button above to start the show. Make sure to keep that window open on your browser if you’re doing other things, or else the audio will stop. You can always find the latest episode at nytimes.com/thedaily.

On Amazon Echo, Echo Dot or Tap:

Open the Alexa app. From the navigation panel on the left, select “settings,” then “flash briefing,” then “get more flash briefing content.” Look for “The New York Times” and select “enable skill.” Now you can say, “Alexa, what’s my flash briefing?” and you will hear that day’s episode of “The Daily.”

On Google Home:

You can say, “O.K., Google, play New York Times” to listen to that day’s episode of “The Daily.”

David E. Sanger contributed reporting.

“The (Misunderstood) Story of NATO” was produced by Rachel Quester, with help from Ike Sriskandarajah and Clare Toeniskoetter, and edited by Larissa Anderson.

“The Daily” is produced by Theo Balcomb, Annie Brown, Jessica Cheung, Paige Cowett, Lynsea Garrison, Michael Simon Johnson, Andy Mills, Rachel Quester, Ike Sriskandarajah and Clare Toeniskoetter, with editing help from Larissa Anderson. Lisa Tobin is our executive producer. Samantha Henig is our editorial director. Brad Fisher is our technical manager. Chris Wood is our sound engineer. Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly.

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